The stone in architecture. A thousand-year bond, like the Vicenza Stone

Stone in architecture is a vivid example of how a bond can be indissoluble. Since its first days on earth, man has found himself surrounded by this material. Over a journey of learning spanning millenia we have discovered its potential and learned to harness it. First the basic tools, then simple artifacts (walls, banks, mounds).

From that moment, in the neolithic era, man has never stopped studying and inventing the applications of stone. Architecture has become the imaginary bridge linking the creativity and spiritual tension of the human beings with the resistant and lasting composition of the stone.

While wood and clay are short-lived, ephemeral in their substance, stone represents resistance, the thousand shades of colour, and the brightness of its polished surfaces. From it, the sculptors of increasingly refined skills, have been able to fashion some unparalleled works of art, transferring the movement and feelings of living creatures to the solidity of stone, breathing life into it.

Even today, after thousands of years, architecture can not do without stone. Architectural elements, from the most common ones, such as door and window frames, to the most complex and elegant, such as columns and balustrades, are all created from the stone. The stone whose shades and luster they take on, bringing out its inner textures, veins and hidden colours.

From this point of view, Vicenza stone is one of the most sought-after materials for architectural and artistic projects. Only the attention and experience of quality craftsmanship can successfully meet the modern necessities while respecting the rules of tradition.

Therefore, when talking about stone in architecture, we must always remember the third essential element: the craftsmanship. There can be no true architecture if the stone is not transformed by those who know every aspect and secret of this material!